The Art Dept

OF THE WOODS                                                                                 Ferns Mixed Media collage 20 x 32 framed $425 Woods Edge Mixed Media Collage 20 x 32 framed $425 Winter Woods Mixed Media Collage 20 x 32 Framed  $425                                                

       Until further notice I am away from the jewelry work table and into the woods. And by that I mean full tilt immersed in the series I started last year, entitled “Of the Woods”.  Here’s a little preview of my time in the woods.        My goal all along has been to show in the category of Mixed Media Collage for the 2020 art fair season. Of course it’s only January of 2020, and way too cold to even think about being in shows. However, that being said, NOW is the time to prepare for those shows.      To be in line for  juried art fairs means having four or five professional jury images, a carefully written artist statement, and a booth shot that shows the body of work as it will appear under the customary white tent at a show.      That brings me to my latest accomplishment, the booth image.  Because I am entering a new category, I needed a new booth image that shows my serie...

     It took me a few long cold winters to get used to life in the Midwest, after living in Florida and doing the show circuit there for 25 years. In the south, shows start up in September and wind down in April, and by then it's too hot. In the north, it’s just the opposite: May to October, and after that it's too dang cold.           I know there are road gypsies out there that can pull off the year-round art show circuit, and I tip my hat to them. As for me and my house, I am glad to have my in season as well as my off season. It helps me stay organized with my work and stay focused on production.       So here’s my plan for what I lovingly refer to as “winter work":     1.    Make a new show piece or two for the coming year. This for me is the project that gets me in work mode. Coming up with a new show piece takes sketching, designing, contemplating, and planning. The whole process requires tha...

     Earlier this month I made the decision to compete. The competition is for a monetary prize that will be awarded in an upcoming show. This is an art show in which I have participated for the last three years, and, for me, the awards are fairly substantial. I am not usually one to go after awards, but I figure I’m going there anyway, so I might as well compete.      The other motivator for me is that I need a new jury image or two. Somewhere along the line I learned that jury images need to show a constistency; the pieces need to look like they are all from the same DNA, so to speak. I have had a concern that my jury images are too dissimilar, and someday I need to make them more cohesive.         So someday arrived this week. I had three days off work, so I scheduled studio time to design and build a show piece that 1) could possibly win a prize, and 2) be photographed for a jury image for next year’s sh...

    This year I decided to come up with some new show pieces so I could have exciting, attention grabbing jury images. With this goal in mind I sketched, designed, tweeked and re-drew on paper till I was sure I had a strong look.  Then I assembled the pieces using my chosen materials:  dried paint films, leather, jasper, epoxy clay, handmade papers and canvas. One of the pieces I came up with was this one.       At work in my studio, I squirrel away for hours on end and come up with a plethora of crazy jewelry pieces. Sometimes at the end of the day I look at what I have made and think to myself " OMG who would wear that?! What was I thinking? Am I crazy?"  (I am, after all, an artist with an on-going internal dialogue and at times I need to tell it to shut up!) The funny thing is, when I go to a show, and put those pieces out, someone comes along that is the perfect fit for the piece. It's like I made it just for her before we ...