Parts of Art

        Now that my show season is over, it's time for what I lovingly call winter work. Winter work is studio time. It's when I light the fire in the wood stove and sit down at the drawing table and/or easel, both of which are pulled close to the wood stove. It's winter work because when the weather cools off and the leaves fall, the studio is the most inviting place in my life. The warmth of the fire and the smell of the wood and the blank slate on the easel are what inspire and motivate me to work.        At one of my shows I bought this glorious coffee mug from Paige @rockbottomceramics. It sits on top of the woodstove and keeps the coffee warm for hours.  It's a studio staple.     There is purposely a blank canvas on the easel, or in this case, a smooth panel which will eventually be gessoed and painted with an expression of light through leaves. The blank canvas is self care. It's a sign of hope for my future. What will go on ...

     I've been talking a lot about the importance of having a muted palette, meaning very little color.  But lately, I've wanted to add color to some of the paintings that I did over the last few years. So that's what I've been doing. I just added color to this piece. It was called The Clearing, and it was a very monotone palette. It was actually one of the favorite paintings at my shows. But you know, it just didn't sell. So I decided to take a breath, (a couple of breaths actually), and re-work this painting, add color, and actually change the path of light in the painting.        So what do you think now? I kind of like it! I like the new light coming through, and I like the blues that are in here now, that didn't used to be, and the light browns and yellows. And I like this little trunk, that gives you a place to sit when you're at the clearing of the woods. A limited edition print of the original Clearing is   available here.  ...