Skip to main content

So it’s a Butterfly Bush

   The whole garden space was alive, not only with plants, but with the fluttering activity of glorious winged creatures that covered the many blooms. I was inspired by this sight and wanted to capture it with my camera for future paintings. I determined that, once stateside, I would

find out whatever this exotic flowering bush was.





 Come spring, I started my quest to identify the flower. At my local nursery I showed the picture to the gardener. Her reply? "I have no idea what the plant is, but the photograph is beautiful! You should be an artist!" 


      I chose not to go into detail about how I AM an artist, and that's the whole point here. That by then I had done sketches and paintings of the bush covered in butterflies. Had even considered the possibility of going back to Gebsattel for another look. I just thanked her and went on my way.

    That's when I started to think that the flowers I so enjoyed in Bavaria are probably only found in Bavaria, that it's some local  species that thrives only in southern Germany and therefore, not available anywhere else.  

    A few weeks later I was at a different nursery, being assisted by a very helpful and knowledgeable associate. He was using his words to paint a picture of how beautiful my garden spaces could be if I just was willing to buy lots of different plants, pavers and rocks from him. After letting him court me for a good 15 minutes, and finally settling on some pachysandras that were on clearance (so frugal!) I pulled out my phone and showed him the picture. Half expecting him to say, "hmmm, no idea" like the other sales associate, I was surprised by his immediate response. 

"Oh, that's a butterfly bush, and we have those right over here!" 

  So it's a butterfly bush! And it's not only grown in southern Germany, but right here is Indiana. Now it is providing me with delightful encounters with those glorious winged creatures on a daily basis. And yes, making it into my watercolor table and my illustrated garden journal.

 

 

 


Comments

Popular posts from this blog

Paint and Palettes

          I’ve always been a lover of paint and paint palettes. I vividly remember the excitement I felt opening that rectangular tin filled with round cakes of watercolor paint in elementary school. I was hooked! From that point on, I have wanted to explore and express within the inviting purity of paint.          In 1988 I had a beach side shop where I hand painted women's clothing. I was using acrylic paint in abundance. One morning I had cleaned my palette off, and had peeled a large colorful piece of variegated and textured acrylic paint from it.  Some friends of mine came into the shop (actually it was my minister and his wife). During our brief conversation, I showed them the peeled up paint and said, “This is too pretty to throw away, but I don’t know what to do with it.” The husband said, “Oh, you should cut it up and make it into jewelry!” We all laughed about it. It was like "Yeah right, I should try it!”   After they left I thought "Wow, that could have been

Winter Work

        Now that my show season is over, it's time for what I lovingly call winter work. Winter work is studio time. It's when I light the fire in the wood stove and sit down at the drawing table and/or easel, both of which are pulled close to the wood stove. It's winter work because when the weather cools off and the leaves fall, the studio is the most inviting place in my life. The warmth of the fire and the smell of the wood and the blank slate on the easel are what inspire and motivate me to work.        At one of my shows I bought this glorious coffee mug from Paige @rockbottomceramics. It sits on top of the woodstove and keeps the coffee warm for hours.  It's a studio staple.     There is purposely a blank canvas on the easel, or in this case, a smooth panel which will eventually be gessoed and painted with an expression of light through leaves. The blank canvas is self care. It's a sign of hope for my future. What will go on that canvas in my future?  It'

The Clearing, Revisited

     I've been talking a lot about the importance of having a muted palette, meaning very little color.  But lately, I've wanted to add color to some of the paintings that I did over the last few years. So that's what I've been doing. I just added color to this piece. It was called The Clearing, and it was a very monotone palette. It was actually one of the favorite paintings at my shows. But you know, it just didn't sell. So I decided to take a breath, (a couple of breaths actually), and re-work this painting, add color, and actually change the path of light in the painting.        So what do you think now? I kind of like it! I like the new light coming through, and I like the blues that are in here now, that didn't used to be, and the light browns and yellows. And I like this little trunk, that gives you a place to sit when you're at the clearing of the woods. A limited edition print of the original Clearing is   available here.   As a reminder, if you dec