A Delightful Experience and great coffee

I recently had a delightful experience at the Gaslight Art Colony. I was invited to have a solo exhibition of my art, which is a collection of mixed media paintings called "Of the Woods". Jo, the gallery director, informed me there would be three rooms and a long hallway available to display my work. She arranged for an opening for a Thursday evening, even though the openings for artists are normally on Saturdays. This invitation motivated me to go into "full-tilt production mode" in the studio, during what is normally "downtime".

When I arrived to set up the show, Jo and some of the art colony members were very helpful in deciding where and how to hang all the pieces. The opening was well attended and I received much positive feedback about the art. By the end of the three weeks the show was up, I had sold two paintings and am now scheduled to teach a workshop. I look forward to working together with the Gaslight Art Colony!

Here I am standing next to the painting which is in the Gypsy Queen Coffee Shop. This is the piece that eventually led me to being invited to have the show.

Speaking of the Gypsy Queen Coffee Shop, I think a great cup of coffee is the perfect complement to enjoying an art exhibit. I feel honored to have my art in the coffee bar and look forward to my next visit.

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Where it All Started

I have always believed that people love to see behind the scenes in the artist studio. It’s like looking behind the curtain and seeing what goes on backstage, to see how the art is crafted, what tools and materials are used, and how the artist thinks. To this end, I am thrilled to unveil a new video that tells my story of the origins of Parts of Art. A big shout out to the producer and videographer @Moguefilms . Here are some of the pieces seen on the video. Want to see more? visit my shop here

Just add paint!

It’s just that simple when painting with watercolor. This is how I start my day in the studio. Open to a new page, fill a brush with sparkling clean water, and fill the page or pages. Then, add watercolor paint and let it do its thing. The daily studio routine is this: clock in at 9 and paint that page in my journal. I realize that the painting on this page could become a beautiful fabric design, a batiked collage, or an amazing painted wall hanging. But my POINT is that I start my studio day with water on a page and go from there. As far as the illustrated journal, yes it’s true. Any thing done on these hallowed pages could become some great masterpiece someday. But that’s clearly not the intent. The journal is the place to play, to experiment, to express, to answer the question “what if ?” It’s about the inspiring and refreshing place my mind enters once that water on the page turns to color. It’s where it starts. Does it matter

Best advice ever

I was eagerly, breathlessly waiting outside the door of the 3rd floor painting studio, anticipating my turn at the hallowed easel. There, the renowned and venerable professor would lovingly and patiently teach me how to paint with oils. Now here I was, in the very studio of my dreams. And all I would hear from the renowned and wise professor was (after a long and awkward pause, her looking over my shoulder) “Well, finish this one and go on to the next one.” Embarrassment. Heartbreak. Doubt. Anger. All these stirred up inside me while sitting in front of that easal. How was I to finish this one and go on to the next one when I didn’t know HOW? Could you just SHOW ME HOW? Looking back now, I fully realize that was the best advice I could’ve gotten at the time. After all, the only way to learn how to paint is to paint, paint, paint and paint some more. Now that I am a mixed media collage artist, that advice sounds in my mind every time I pain

Parts of Art

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